000			02236cam a2200421 i 4500
999			_c93988 _d93988
001			13150166
005			20260303111506.0
008			220503s2023 maua b 001 0 eng
010			_a 2022021534
020			_a9780262545396 _qpaperback
020			_a026254539X _qpaperback
020			_z9780262374118 _qelectronic book
020			_z9780262374125 _qelectronic book
035		9	_a(GOBI)40031843162
035			_a(OCoLC)1340411187
040			_aDLC _beng _erda _cDLC _dOCLCF _dYDX _dBDX _dTOH _dUKMGB _dYDX
041			_aeng
042			_apcc
050	0	0	_aML3877 _b.B7707 2023
082	0	0	_a781.1/7 _223/eng/20220809
100	1		_aBrøvig, Ragnhild, _eauthor.
245	1	0	_aParody in the age of remix : _bmashup creativity vs. the takedown / _cRagnhild Brøvig.
264		1	_aCambridge, Massachusetts : _bThe MIT Press, _c[2023]
300			_ax, 311 pages : _billustrations ; _c23 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
504			_aIncludes bibliographical references and index.
505	0		_aIntroduction -- Mashup Music as Parody -- Producing Mashups and the Pleasure of Play -- The HAHA, AHA, and AH Impacts of Mashups -- Sampling Ethics and Mashups' Legality -- Platform Moderation's Impact on Mashups -- Authorship and Ownership in the Age of Remix and Takedowns.
520			_a"Drawing on interviews with mashup producers, close readings of the mashup music and videos, and a historically and aesthetically informed cultural studies approach, Brøvig demonstrates how mashup music embraces the essence of parody through its mashing and repurposing of sources, associations, and connotations"-- _cProvided by publisher.
540			_aCreative Commons Attribution-NonCommercial-NoDerivatives 4.0 International _f CC BY-NC-ND 4.0 _uhttps://creativecommons.org/licenses/BY-NC-ND/4.0/
650		0	_aMashups (Music) _xPhilosophy and aesthetics.
650		0	_aMashups (Music) _xHistory and criticism.
650		0	_aParody in music.
655		4	_aElectronic books.
856	4	0	_uhttps://directory.doabooks.org/handle/20.500.12854/111583 _yFull text is available at the Directory of Open Access Books. Click here to view.
942			_2ddc _cOA