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020 _a9781786307538
020 _a9781394225958
_qelectronic book
020 _a1394225954
_qelectronic book
020 _a9781394225972
_qelectronic book
020 _a1394225970
_qelectronic book
020 _z1786307537
020 _z9781786307538
035 _a(OCoLC)1388500753
_z(OCoLC)1388318715
040 _aEBLCP
_beng
_erda
_cEBLCP
_dYDX
_dOCLCQ
_dDG1
_dOCLCO
041 _aeng
050 4 _aTR267
_b.M35 2023
082 0 4 _a770.1
_223/eng/20230816
100 1 _aMa�itre, H.
_q(Henri),
_0https://id.loc.gov/authorities/names/n96031662
_eauthor.
245 1 0 _aAesthetics in digital photography /
_cHenri Ma�itre.
264 1 _aLondon :
_bISTE Ltd ;
_aHoboken, NJ :
_bJohn Wiley & Sons, Inc.,
_c2023.
300 _a1 online resource.
336 _atext
_btxt
_2rdacontent.
337 _acomputer
_bc
_2rdamedia.
338 _aonline resource
_bcr
_2rdacarrier.
340 _2rdacc
_0http://rdaregistry.info/termList/RDAColourContent/1003.
490 1 _aInterdisciplinarity, science and humanities series.
504 _aIncludes bibliographical references and index.
505 0 _aCover -- Title Page -- Copyright Page -- Contents -- Introduction: Image and Gaze -- Chapter 1. The Legacy of Philosophers -- 1.1. The objectivist approach -- 1.1.1. The source: ancient Greece -- 1.1.2. After Greece -- 1.1.3. Kant and modern aesthetics -- 1.1.4. Objectivism after Kant: from pseudo-subjectivism to aesthetic realism -- 1.2. The subjectivist approach -- 1.2.1. From classicism to romanticism -- 1.2.2. The moderns -- 1.2.3. The influence of neurobiology -- 1.3. Subjectivism and objectivism: an ongoing debate -- Chapter 2. Neurobiology or the Arbitrator of Consciousness -- 2.1. fMRI protocols and neuroaesthetics -- 2.2. The fMRI quest for "beauty processes" in the brain -- 2.2.1. The role of the prefrontal cortex -- 2.2.2. The role of the insular cortex -- 2.2.3. The role of the visual areas -- 2.2.4. The role of memory and cognition -- 2.2.5. The role of embodiment -- 2.3. Responses from functional electric encephalography -- 2.4. A global cognitive scheme for aesthetic judgment? -- 2.4.1. J. Petitot's neurogeometric model -- 2.4.2. A. Chatterjee's aesthetic emotion model -- 2.4.3. The model by Brown et al -- 2.4.4. Model proposed by H. Leder -- 2.4.5. The model by C. Redies -- 2.4.6. The emotions model developed by S. Koelsch et al. -- 2.4.7. L.H. Hsu's model of emotions based on A. Dam�asio -- 2.4.8. Other models -- 2.5. A critique of neuroaesthetic methods -- 2.5.1. Criticism of neuroaesthetic methods -- 2.5.2. Criticisms of the objectives of neuroaesthetics -- Chapter 3. What Are the Criteria For a Beautiful Photo? -- 3.1. Before we enter into the fray -- 3.1.1. What reference books do we have? -- 3.1.2. "Beauty of an image" or "quality of an image"? -- 3.1.3. A glossary of aesthetic appraisal -- 3.1.4. Measuring beauty -- 3.2. Composition -- 3.2.1. Complexity versus simplicity -- 3.2.2. Unity -- 3.2.3. A specific case in composition: landscapes -- 3.2.4. Using oculometry to analyze composition -- 3.2.5. Format or aspect ratio -- 3.2.6. The rule of thirds (RoT) -- 3.2.7. The center of the image -- 3.2.8. Other rules for composition -- 3.3. Histograms, spectral properties and textures -- 3.3.1. Histograms and gray levels -- 3.3.2. Focus, spectral density, fractals -- 3.3.3. Textures -- 3.4. Color -- 3.4.1. About the concept of color -- 3.4.2. Preferences related to isolated colors -- 3.4.3. Preferences related to color palettes -- 3.5. What behavioral psychosociology has to say -- 3.5.1. Images of nature -- 3.5.2. The aesthetics of faces -- 3.5.3. The role of the signature, title and context -- 3.5.4. Perception and memory: prototypicality -- Chapter 4. Algorithmic Approaches to "Calculate" Beauty -- 4.1. First steps: C. Henry -- 4.2. G.D. Birkhoff's mathematical approach -- 4.3. Those who followed G.D. Birkhoff -- 4.3.1. Beauty according to H.J. Eysenck -- 4.3.2. The Post-War years: the designers, A. Moles and M. Bense -- 4.3.3. A dynamic approach: P. Machado and A. Cardoso -- 4.3.4. Work carried out by J. Rigau, M. Feixas and M. Bert.
520 _aAesthetics in Digital Photography presents theories developed over the last 25 centuries by philosophers and art critics, who have sometimes been governed by the objectivity of perception, and other times, of course, by the subjectivity of human judgement. It explores the advances that have been made in neuro-aesthetics and their current limitations. In the field of photography, this book puts aesthetic hypotheses up against experimental verification, and then critically examines attempts to "scientifically" measure this beauty. Special attention is paid to artificial intelligence techniques, taking advantage of machine learning methods and large databases. Show less.
545 0 _aAbout the Author Henri Maître is Emeritus Professor at Télécom-Paris in France and was director of research at Télécom-Paris and the LTCI laboratory. He specializes in image processing and pattern recognition.
650 0 _aPhotography
_xDigital techniques.
_0https://id.loc.gov/authorities/subjects/sh90001789.
650 0 _aImage processing.
_0https://id.loc.gov/authorities/subjects/sh85064446.
650 0 _aAesthetics.
_0https://id.loc.gov/authorities/subjects/sh85001441.
655 4 _aElectronic books.
830 0 _aInterdisciplinarity, science and humanities series.
_0https://id.loc.gov/authorities/names/no2023033792.
856 _uhttps://onlinelibrary.wiley.com/doi/book/10.1002/9781394225972
_yFull text is available at Wiley Online Library Click here to view
942 _2ddc
_cER