000 07545cam a2200577 i 4500
001 1391330087
003 OCoLC
005 20250910114943.0
008 230607t20242024enkmbch b a001 0 eng
010 _a2023018559
020 _a9781119841784
_qhardcover
020 _a111984178X
_qhardcover
020 _a9781119841821
_qpaperback
020 _a1119841828
_qpaperback
020 _z9781119841791
_qadobe electronic book
020 _z9781119841807
_qelectronic publication
020 _z9781119841814
035 _a.b109207968
035 _a(OCoLC)1391330087
040 _aDLC
_beng
_erda
_cDLC
_dOCLCO
_dOCLCF
_dDVP
_dOCLCO
_dYDX
_dCMA
_dOSU
_dUtOrBLW
042 _apcc
049 _aOSUU
082 0 0 _a709.04/8
_223/eng/20230727
090 _aN6490
_b.C5975 2024
090 _aN6490
_b.C5975 2024
245 0 2 _aA companion to contemporary art in a global framework /
_cedited by Jane Chin Davidson and Amelia Jones.
264 1 _aChichester, West Sussex :
_bWiley Blackwell,
_c2024.
264 4 _c�2024.
300 _axxvii, 559 pages :
_billustrations (black and white), map, portraits, facsimile ;
_c26 cm.
336 _atext
_btxt
_2rdacontent.
336 _astill image
_bsti
_2rdacontent.
336 _acartographic image
_bcri
_2rdacontent.
337 _aunmediated
_bn
_2rdamedia.
338 _avolume
_bnc
_2rdacarrier.
490 1 _aWiley Blackwell companions to art history ;
_v25.
520 _a"A Companion to Contemporary Art in a Global Framework (CAGF) is designed to provide a cultural, political, social, and aesthetic history of post-1980 visual arts in a global framework. The book is intended for students and specialists, but also for any reader interested in what art is and what it does in and beyond the Euro-American (shorthand for European and North American-so called Western) context. By "global framework," the book points to the necessity of moving beyond the Euro-American canons of art and artists while recognizing the structurally European bases for what we call art and its institutions. That is, the book does not claim global coverage, but rather offers a wide range of perspectives by curators, artists, art historians, performance studies scholars, and others on art since 1980 both within and beyond the Western context"--
_cProvided by publisher.
504 _aIncludes bibliographical references and index.
505 2 _aI Live in the Fourth Dimension When I Create Landscapes / Senga Nengudi, artist statement -- Envisioning a More Just Future: Feminist Activist Art, Climate Change, and the Anthropocene / Lisa Bloom -- Ghosts in the Archive: Exorcism, Resurrection and the Possibilities of Repair / Hammad Nasar.
505 0 0 _tIntroduction: The Eurocentrism of contemporary art, staging the project /
_rJane Chin Davidson and Amelia Jones --
_gPart I. Decades.
_g1980-1990.
_tI live in the fourth dimension when I create landscapes: artist statement /
_rSenga Nengudi ;
_tSeeing beyond east/west divides: contemporary art in and around 1980s China /
_rJenny Lin.
_g1990-2000.
_tIs there a line that connects all thins? Artist statement /
_rSutapa Biswas ;
_tWhy contemporary art is post-Soviet /
_rAngela Harutyunyan.
_g2000-2010.
_tArt and politics: artist statement /
_rTania Bruguera ;
_tMaori and pacific art at the turn of a new millennium /
_rNina Tonga and Caroline Vercoe.
_g2010-2020.
_tArt for abolition: artist statement /
_rPatrisse Cullors ;
_tSituating African diasporic art /
_rNana Adusei-Poku --
_gPart II. Themes.
_tInstitutions/Ontology.
_tCOLONIALISM "The whole world in his hands": a decolonial approach to European concepts of art /
_rClaire Farago ;
_tPEDAGOGY The blank canvas and other myths /
_rAl-An de Souza ;
_tCRAFT Craft and the making of "Global" contemporary art /
_rPamela N. Corey ;
_tPERFORMANCE Dreams and visions in the interval /
_rMlondolozi Zondi ;
_tEMBODIMENT/MATERIALITY Love songs (to end hetero-patriarchal, settler-colonial, extractivism) /
_rNatalie Loveless.
_tPolitics/Public sphere.
_tREVOLUTION Revolution is a circle /
_rTatiana Flores ;
_tART AND ITS MARKETPLACES It was a small world, after all /
_rSuzanne Hudson ;
_tPUBLIC SPHERES The politics of public space in postrevolutionary Iran /
_rTalinn Grigor ;
_t(ANTI-) CAPITALISM The imminent promise and fear of a getaway car /
_rRaqs Media Collective ;
_tENVIRONMENT Envisioning a more just future: feminist activist art, climate change, and the anthropocene /
_rLisa E. Bloom.
_tIdentity/Subjectivity.
_tINDIGENEITY Global futurisms: prophetic practices of reclamation, liberation, and transcendence /
_rTimoteo I. Montoya II ;
_tDIASPORA Transnational collectivities of solidarity and affect /
_rCeren Ozpinar ;
_tGENDER/SEXUALITY Performing the intersection: camp and the "cat lady" /
_rJane Chin Davidson ;
_tRACE/ETHNICITY Three forms of appropriation: Carrie Mae Weems, Glenn Ligon, and Nao Bustamante /
_rJessi DiTillio and Cherise Smith.
_tMethods/Theories.
_tPOSTCOLONIAL/DECOLONIAL Post-/Anti-/Neo-De- colonial theories and visual analysis /
_rAlpesh Kantilal Patel ;
_tMARXISM/POST-MARXISM History, Marxism, reality, and utopia: the Bishan project in China (2010-2016) /
_rOu Ning ;
_tCRITICAL RACE THEORY "The blast work": situating critical race theory in contemporary art and curatorial practice /
_rKelli Morgan in dialogue with Amelia Jones ;
_tPOSTSTRUCTURALISM/POSTMODERNISM/POSTCOLONIALISM Mapping poststructuralism, postmodernism, and postcolonialism /
_rApril Baca ;
_tGENDER/SEX THEORY Feminist/Queer/Trans theory and trans embodied methodologies in contemporary art: an intergenerational dialogue on the page /
_rAce Lehner and Amelia Jones ;
_tPERFORMANCE THEORY The "studies protocols" of performance studies /
_rJoshua Chambers-Letson.
_tTechnology/Media.
_tINTERNET "Bias is not a bug. It's a feature": an interview with Hito Steyerl on representation in the digital age /
_rHito Steyerl and Anuradha Vikram ;
_tSOCIAL MEDIA Why is it so hard to look the other in the eye? The selfie and its discontents /
_rDerek Murray ;
_tALGORITHM Algorithms in global art and visual culture /
_rGary Kafer and Tyler Quick.
_tExhibition/Collecting/Archive.
_tMUSEUM Time, love, and the museum /
_rFlorencia San Martin ;
_tBIENNIAL/ART FAIR Biennial as a discursive political system for contemporary art /
_rJane Chin Davidson ;
_tCURATING In residence, incarcerated Regina Jose Galindo's America's family prison /
_rAndy Campbell ;
_tCOLLECTING The world should collect itself: collecting art globally (and other predicaments) /
_rGerardo Mosquera ;
_tARCHIVE Ghosts in the archive: exorcism, resurrection and the possibilities of repair /
_rHammad Nasar.
650 0 _aArt, Modern
_y20th century.
_0http://id.loc.gov/authorities/subjects/sh85007805.
650 0 _aArt, Modern
_y21st century.
_0http://id.loc.gov/authorities/subjects/sh2002000548.
650 0 _aArt and society
_xHistory
_y20th century.
_0http://id.loc.gov/authorities/subjects/sh2009115685.
650 0 _aArt and society
_xHistory
_y21st century.
655 7 _aHistory.
_2fast.
700 1 _aDavidson, Jane Chin,
_eeditor.
_0http://id.loc.gov/authorities/names/no2011171739.
700 1 _aJones, Amelia,
_eeditor.
_0http://id.loc.gov/authorities/names/n93008620.
776 0 8 _iOnline version:
_tCompanion to contemporary art in a global framework
_dHoboken, NJ : Wiley-Blackwell, 2024
_z9781119841791
_w(DLC) 2023018560.
830 0 _aWiley-Blackwell companions to art history ;
_v25.
_0http://id.loc.gov/authorities/names/no2013105858.
913 _aN
989 7 _acompanion_to_contemporary_art_in_a_global_framework______________2024_______wia_______________________________
999 _c92658
_d92658