000			02964nam a22002777a 4500
999			_c90712 _d90712
005			20250609102912.0
008			250609b ||||| |||| 00| 0 eng d
020			_a9783111185927
041			_aeng
082	0	0	_223 _a709.04
245	1	0	_aNew media in art history : _btensions, exchanges, situations / _cRégine Bonnefoit, Mélissa Rérat, Samuel Schellenberg (eds)
264		1	_aBerlin : _bWalter de Gruyter GmbH, _c[2023]
264		4	_c©2023
300			_a142 pages ; _b22 cm
336			_atext _btxt _2rdacontent
337			_aunmediated _bn _2rdamedia
338			_avolume _bnc _2rdacarrier
500			_aIncludes index.
505	0		_aHistory and historiography of media. Screenshots from the 1970s : Vera Molnar's experiments in interactive computing / Zsofi Valyi-Nagy Cathodic art in France : from experimenting with the medium to experiencing the media / Fleur Chevalier Live on Twitch : the art history classification of performances in digital games / Katharina Brandi Use and reception of new media. Digital art and the quantification of aesthetic perception / Aline Guillermet Software garden : life in digital matter / Nina Zschocke Creation, conservation, mediation. Translation of the Art and architecture thesaurus® in Switzerland : vision and implementation / Sarah Amsler and Thomas Hänsli The "Retour aux sources" research project : how to think and practice digital creation in French art schools / Keyvane Alinaghi and Caroline Tron-Carroz New media for the visualization of architecture / Dominik Lengyel and Catherine Toulouse
520			_aNew media in art history The history of art and new media are inextricably linked - both historically and in the present day. This publication can be described as an interdisciplinary reflection: it examines the confrontation and interaction between art history and new media, highlighting key developments, opportunities, and tensions. In eight studies, eleven researchers present new findings and explore the techniques and methods of new media - from electronic to digital and post-digital media - and the challenges these pose for art history. The book covers a wide range of topics, from the history and historiography of new media to their practical application, use, and reception, as well as creative processes, material conservation, and mediation. With new research findings, this book bridges the gap between art history and media studies With contributions by Keyvane Alinaghi, Sarah Amsler, Katharina Brandl, Fleur Chevalier, Aline Guillermet, Thomas Hänsli, Dominik Lengyel, Catherine Toulouse, Caroline Tron-Carroz, Zsofi Valyi-Nagy, and Nina Zschocke Cooperative project between the Swiss Association of Art Historians (VKKS) and the University of Neuchâtel
650		0	_aArt _xHistory _xTechnological innovations
700	1		_aBonnefoit, Régine. _eeditor
700	1		_aRérat, Mélissa _eeditor
700	1		_aSchellenberg, Samuel _eeditor
942			_2ddc _cBK