| 000 | 02073cam a2200397 a 4500 | ||
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| 999 |
_c72733 _d72733 |
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| 001 | 2141792 | ||
| 003 | CITU | ||
| 005 | 20210810132259.0 | ||
| 008 | 980311s1998 mau b 001 0 eng | ||
| 010 | _a 98017339 | ||
| 020 | _a0262194031 (hc. : alk. paper) | ||
| 020 | _a9780262194037 | ||
| 020 | _a0262692481 | ||
| 020 | _a9780262692489 | ||
| 020 | _a 0585003165 | ||
| 020 | _a9780585003160 | ||
| 040 |
_aCITU LRAC _ceng |
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| 041 | _aeng | ||
| 050 | 0 | 0 |
_aPN1995 _b.S513 1998 |
| 082 | 0 | 0 |
_a791.4301 _221 |
| 100 | 1 |
_aSinger, Irving. _eauthor |
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| 245 | 1 | 0 |
_aReality transformed : _bfilm as meaning and technique / _cIrving Singer. |
| 264 | 1 |
_aCambridge, Massachusetts : _b MIT Press, _c ©1998. |
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| 300 |
_axiv, 216 pages ; _c24 cm. |
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| 336 |
_atext _btxt _2rdacontent |
||
| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aIncludes index | ||
| 504 | _aIncludes bibliographical references (p. [201]-210) | ||
| 505 | _a Introduction: Realism vs. Formalism -- Appearance and Reality -- The Purple Rose of Cairo -- The Visual and the Literary -- Death in Venice -- Communication and Alienation -- The Rules of the Game -- Conclusion: Cinematic Transformation. | ||
| 520 | _aIn Reality Transformed Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. He accepts the realist claim that films somehow "capture" reality, but agrees with the formalist belief that they transform it. Extending his earlier work on meaning in art and life, he suggests that the meaningfulness of movies derives from techniques that re-create reality in the process of presenting it to viewers who have learned how to appreciate the aesthetics of cinematic transformation. | ||
| 650 | 0 |
_aFilm criticism _xPhilosophy. |
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| 906 |
_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg |
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| 942 |
_2ddc _cBK |
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