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_c71051 _d71051 |
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| 001 | 692443 | ||
| 003 | CITU | ||
| 005 | 20210727083249.0 | ||
| 008 | 961001s1998 nyua 001 0 eng | ||
| 010 | _a 96044428 | ||
| 020 | _a0789200686 | ||
| 020 | _a0789203707 (hard) | ||
| 040 |
_aDLC _cDLC _dDLC |
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| 050 | 0 | 0 |
_aTR15 _b.M63 1998 |
| 082 | 0 | 0 |
_a770 _221 |
| 100 | 1 |
_aMora, Gilles, _d1945- |
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| 245 | 1 | 0 |
_aPhotoSpeak : _ba guide to the ideas, movements, and techniques of photography, 1839 to the present / _cGilles Mora. |
| 250 | _a1st ed. | ||
| 264 | 1 |
_aNew York : _bAbbeville Press Publishers, _c1998. |
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| 300 |
_a215 p. : _bill. ; _c23 cm. |
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| 336 |
_atext _btxt _2rdacontent |
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| 337 |
_aunmediated _bn _2rdamedia |
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| 338 |
_avolume _bnc _2rdacarrier |
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| 500 | _aIncludes index. | ||
| 500 | _aGilles Mora has written several photographic books and monographs, including those on Walker Evans and Edward Weston. Previously the editor-in-chief of Cahiers de Photographie, a preeminent journal of photography, he now oversees the photographic program for the book publisher Editions de Seuil. In his spare time, he performs with his rockabilly band, the Frantic Rollers. | ||
| 505 | _aPHOTOCHART 6 INTRODUCTION: A USER’S MANUAL 7 COLOR PLATES 9 TIMELINE 21 ABSTRACTION 39 ADVERTISING PHOTOGRAPHY 41 AERIAL PHOTOGRAPHY 43 ALBUM 45 ALBUMEN PRINT 47 AMBROTYPE 48 ANONYMOUS PHOTOGRAPHY 49 ART AND PHOTOGRAPHY 52 AUTOCHROME 54 BAUHAUS 55 BLURRING 58 THE BODY 58 CALOTYPE (TALBOTYPE) 61 CAMERA 61 CAMERA OBSCURA/CAMERA LUCIDA 61 CARBON PROCESS 62 CARTE-DE-VISITE 63 (CHRONOPHOTOGRAPHY-see MOVEMENT AND PHOTOGRAPHY) THE CITY AND PHOTOGRAPHY 63 CLARENCE H. WHITE SCHOOL OF PHOTOGRAPHY 66 CLARITY 66 CLICHE VERRE 67 COLLAGE 67 COLLECTIONS 68 COLLODION PROCESSES 70 COLOR 71 CONSERVATION 73 CONTACT PRINT/CONTACT SHEET 75 CRITICISM AND PHOTOGRAPHY 75 (CROPPING-see FRAME) DAGUERREOTYPE 78 DECISIVE MOMENT 78 DEVELOPMENT 80 DIGITAL IMAGING 81 DIRECT PROCESS 84 (DIRECTORIAL PHOTOGRAPHY-see STAGED PHOTOGRAPHY) DOCUMENTARY PHOTOGRAPHY 84 DOUBLE EXPOSURE 87 DYE-TRANSFER PROCESS 87 EMULSON 87 ENLARGEMENT 88 EQUIVALENTS 89 FARM SECURITY ADMINISTRATION (FSA) 90 FASHION PHOTOGRAPHY 92 (FERROTYPE-see TINTYPE) FILM 94 FILM UND FOTO 95 (FIXING-see DEVELOPMENT) FORMAT 96 FRAME 97 FUTURISM AND PHOTOGRAPHY 99 GALLERY 100 GELATIN SILVER PROCESS 100 GRAFFITI 101 GROUP F/64 103 GUM BICHROMATE PROCESS 104 HISTORIES OF PHOTOGRAPHY 104 HUMANIST PHOTOGRAPHY 105 INSTALLATION AND PHOTOGRAPHY 107 JAPONISME 108 JUDICIAL PHOTOGRAPHY 109 LANDSCAPE PHOTOGRAPHY 110 LATENT IMAGE 112 LENS 113 LIGHT 113 LITERATURE AND PHOTOGRAPHY 115 LUMINISM 117 MANIPULATION 118 METAPHOR 119 MODERNISM AND PHOTOGRAPHY 121 (MONTAGE-see PHOTOMONTAGE) MOVEMENT AND PHOTOGRAPHY 122 NATURALISTIC PHOTOGRAPHY 124 NEGATIVE-POSITIVE PROCESS 126 NEUE SACHLICHKEIT 128 (NEW BAUHAUS-see BAUHAUS) (NEW COLOR PHOTOGRAPHY- see LUMINISM) (NEW OBJECTIVITY-see NEUE SACHLICHKEIT) (NEW PHOTOGRAPHY-see NEUE SACHLICHKEIT) NEW TOPOGRAPHICS 130 NEW VISION 132 NEW YORK SCHOOL 135 NUEVA LENTE 137 OBJECTS AND PHOTOGRAPHY 138 OPTICAL DISTORTION 139 (OVERPRINTING-see DOUBLE EXPOSURE) (PALLADIUM PRINT-see PLATINUM PRINT) PANORAMIC PHOTOGRAPHY 140 PHOTO AGENCIES 141 PHOTO-ESSAY 142 PHOTOGENIC DRAWING 143 PHOTOGRAM 143 PHOTOGRAPHIC ACT 145 PHOTOGRAPHIC PAPER 146 PHOTOGRAPHY INDUSTRY 146 PHOTOJOURNALISM 147 PHOTO LEAGUE 149 PHOTOMACROGRAPHY/PHOTOMICROGRAPHY 150 PHOTOMONTAGE 151 PHOTO-REALISM 153 PHOTO-SECESSION 154 PICTORIALISM 155 PINHOLE CAMERA 157 PLATINUM PRINT 158 POLAROID 158 POP ART AND PHOTOGRAPHY 159 PORTRAITURE 161 POSTMODERNISM 164 PRINTS 166 PUBLISHING AND PHOTOGRAPHY 167 (RAYOGRAM-see PHOTOGRAM) REPRODUCTIVE PROCESSES 168 (SABATTIER EFFECT-see SOLARIZATION) SALT-PAPER PROCESS 169 (SCHADOGRAPH-see PHOTOGRAM) SCIENTIFIC PHOTOGRAPHY 169 SCULPTURE AND PHOTOGRAPHY 171 SELECTION 173 SELF-PORTRAIT 174 SEMIOLOGY 176 SENSITIZED SURFACE 176 SERIAL PHOTOGRAPHY 177 SNAPSHOT/INSTANTANEITY 179 SOLARIZATION 180 STAGED PHOTOGRAPHY 180 (STEREOGRAPH-see THREE-DIMENSIONAL PHOTOGRAPHY) STRAIGHT PHOTOGRAPHY 183 STREET PHOTOGRAPHY 184 SUBJEKTIVE FOTOGRAFIE 187 SURREALISM 189 SYMBOLISM 192 THREE-DIMENSIONAL PHOTOGRAPHY 193 TINTYPE 194 TONING 194 TRAVEL PHOTOGRAPHY 195 VORTOGRAPH 197 WAR PHOTOGRAPHY 199 WOMEN AND PHOTOGRAPHY 201 WOODBURYTYPE 204 | ||
| 520 | _aA worthy companion to Abbeville's three very successful reference volumes in the series-ArtSpeak, ArtSpoke, and AntiqueSpeak-PhotoSpeak is an informative, user-friendly resource. The complexities of photographic techniques, from catalogue to digital imaging and beyond, are explained in clear, straightforward language. The international groups and movements of photography are elucidated in the same accessible who-when-where-what format that has made this series so useful. And the aesthetic concepts and critical language used to explain (and often obscure) photography over the last century and a half are demystified in illuminating, enjoyable prose. A time line and a chart of all the movements complement the text and the original selection of images. | ||
| 650 | 0 |
_aPhotography _xHistory _y19th century. |
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| 650 | 0 |
_aPhotography _xHistory _y20th century. |
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| 856 | 4 | 2 |
_3Contributor biographical information _uhttps://www.loc.gov/catdir/enhancements/fy1612/96044428-b.html |
| 856 | 4 | 2 |
_3Publisher description _uhttps://www.loc.gov/catdir/enhancements/fy1612/96044428-d.html |
| 856 | 4 | 1 |
_3Sample text _uhttps://www.loc.gov/catdir/enhancements/fy1612/96044428-s.html |
| 856 | 4 | 1 |
_3Table of contents only _uhttps://www.loc.gov/catdir/enhancements/fy1612/96044428-t.html |
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_a7 _bcbc _corignew _d1 _eocip _f19 _gy-gencatlg |
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_2ddc _cBK |
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