TY  - BOOK
AU  - Wageningen,Mark van
TI  - Type & color: how to design and use multicolored typefaces 
SN  - 9781616898465
AV  - Z250.7 .W3413 2020
U1  - 686.2/21 23
PY  - 2020///
CY  - New York
PB  - Princeton Architectural Press
KW  - Type and type-founding
KW  - Digital techniques
KW  - Graphic design (Typography)
KW  - Color printing
KW  - Color in design
N1  - 1. The end of black and white. Typographic style -- 
       Calligraphy, lettering, and type design -- Balance and 
       proportion -- Multicolored type design checklist -- 
       Polychrome typefaces -- Stencil fonts -- Color palette -- 
       Letter size -- Structure of the layers -- 2. The 
       construction of multicolored fonts. Square, circle and 
       triangle -- Modular proportions -- Transforming, rotating,
       and flipping -- Theory and practice -- Optical corrections
       -- Design grid -- Optical corrections and color -- Light 
       and bold -- Contrast of forms -- Character width -- 
       Kerning -- Patterns -- A system of layers -- 3. It takes 
       (at least) two to tango. Reading vs. looking -- 
       Letterspacing -- Monospace possibilities -- 4. The future 
       of typography. Additive and subtractive color -- 
       Complementary color combinations -- Primary, secondary, 
       and tertiary colors -- Color contrast in practice -- 
       Contrast and harmony -- Color and hue -- Grayscale -- Font
       size and color contrast -- CMYK -- Pantone matching system
       (PMS) -- Process color -- Color the web -- Bixa color -- 
       Bonus track. Studying the past to understand the future --
       Designing Bixa color -- The perfection of imperfection -- 
       Wrong is right -- Do it yourself -- Production -- Fonts --
       Test print as a result -- The quick brown fox... -- 
       Posters as type specimens -- Booklets as type specimens --
       The first multicolored font -- 5. Will it blend? Johannes 
       Itten's theory of color -- Types of contrast according to 
       Itten -- Contrast transfers -- Color in an editorial 
       environment -- Color becomes the new bold -- Decoration 
       and deconstruction -- 6. Will it work? Unicode -- 
       Digitizing letters -- Font editors -- The master file -- 
       Subfiles -- Exporting subfiles -- Naming subfiles -- 
       Creating multicolored fonts -- Multicolored fonts for 
       print -- Scalable vector graphics in open type -- Layered 
       fonts -- Multicolored fonts for the web -- ChromaCheck -- 
       Fallback font -- 7. Getting started. Positioning -- The 
       beginning -- Your website -- Fonts in use -- Your own 
       online shop -- Appealing font specimens -- Collaborations 
       -- Licenses -- Briefing -- Exclusivity -- Typography as 
       commissioned work -- Prizes and awards -- Share and 
       participate -- Create your own platform -- Social media --
       Beware of eye candy -- Stay tuned to yourself -- 8. 
       Appendix. Acknowledgments ; About the author.
N2  -   To create his award-winning multicolored typefaces, Mark 
       van Wageningen first returned to the past for his research
       : wood-type printing. His subsequent form and color 
       studies led to a series of popular digital typefaces and 
       awards for typographic excellence from the Type Directors 
       Club. In Type & Color, the pioneering typographic designer
       provides all the tools you will need to participate in the
       hottest typography trend: designing with multicolored 
       fonts. This manual, aimed at a broad spectrum of graphic 
       design professionals, offers analyses of chromatic type 
       specimens, instructions for multilayer type design, and 
       applications across a range of print and digital media. 
       From display fonts to running text, discover how color can
       give words expressive new possibilities.
ER  -