TY - BOOK AU - Chorpening,Kelly AU - Fortnum,Rebecca TI - A companion to contemporary drawing T2 - Wiley Blackwell companions to art history SN - 9781119194576 AV - NC96 U1 - 741 23 PY - 2020/// CY - Hoboken, NJ PB - Wiley-Blackwell KW - Drawing KW - 21st century KW - Themes, motives KW - Electronic books N1 - Includes index; Kelly Chorpening is the Fine Art Programme Director at Camberwell College of Arts, University of the Arts, London. She has worked extensively in drawing as an artist, writer, curator and educator within fine art and across disciplines, and in a number of national contexts. Rebecca Fortnum is Professor of Fine Art at the Royal College of Art, UK. She is the author of Contemporary British Women Artists: In Their Own Words and On Not Knowing: How Artists Think. She has exhibited widely including solo exhibitions at the Freud Museum and the V&A Museum of Childhood in London.; Includes bibliographical references and index; Table of contents List of Illustrations ix Notes on Contributors xvii Acknowledgments xxv Introduction 1 Kelly Chorpening and Rebecca Fortnum Part I The Power of Drawing 11 1 The Black Index 13 Bridget R. Cooks 2 A State of Alert: The Politics of Eroticism in South American Drawing 29 Sofia Gotti 3 Graphic Witness 55 Kate Macfarlane 4 Drawn from Communism: Anti-Capitalist Drawing from Central-Eastern Europe 71 Magdalena Radomska 5 Differencing Drawing: Feminist Perspectives on Line, Surface, and Space 95 Griselda Pollock 6 A Dirty Double Mirror: Drawing, Autobiography, and Feminism 123 Rebecca Fortnum 7 Between the Sky and the Handle: Shilpa Gupta’s Drawings in the Contemporary 147 Parul Dave Mukherji 8 Drawing as Contagion 161 Jade Montserrat 9 Curating Drawing: Exhibitions and the Centering of Drawing in Contemporary Art 167 João Ribas Part II The Condition of Drawing 183 10 Observation and Drawing: From Looking to Seeing 185 Paul Moorhouse 11 “Drawing’s Impropriety” 203 Lucien Massaert 12 Drawing in Atopia: An Exploration of “Drift” as Method 221 Beth Harland 13 Works on/in/with Paper: Approaching Drawing as Responsive Marking 239 Marina Kassianidou 14 Indexical Drawing: On Frottage 257 Margaret Iversen 15 Ground as Critical Limit 271 Laura Lisbon 16 Drawing’s Finish 287 Stephanie Straine 17 Radical Antinomies: Drawing and Conceptual Art 309 Anna Lovatt 18 Drawing Desires 325 Sunil Manghani 19 Drawing from Life and the Twenty-first Century Art School 343 Kelly Chorpening Part III The Expanse of Drawing 367 20 Marking Time, Moving Images: Drawing and Film 369 Ed Krčma 21 Digital Drawing 389 Tamarin Norwood 22 The Dot and the Line: Drawing Amongst Computers 407 Jane de Almeida 23 Installation/Drawing: Spaces of Drawing Between Art and Architecture 431 Sophia Banou 24 Informational Drawing 451 Matthew Ritchie 25 Drawing Towards Sound – Notation, Diagram, Drawing 471 David Ryan 26 Chinese Calligraphy: A Drawing Ecology 493 Eric Wear 27 The Enduring Power of Comic Strips 513 Simon Grennan Index 531 The black index / Bridget R. Cooks -- Observation and drawing : from looking to seeing / Paul Moorhouse -- Marking time, moving images : drawing and film / Ed Krčma -- Chinese calligraphy : a drawing ecology / Eric Otto Wear N2 - "With their deviant movements, carefully defined features, and exquisitely detailed faces, the serial drawings of Kenyatta A.C. Hinkle, Titus Kaphar, and Whitfield Lovell offer refreshing approaches to visual indexes of Black bodies. For some artists, the act of drawing is only a preliminary step toward a final artwork yet to be realized. However, these artists create drawings as complete manifestations of transient forms-humans in various stages of life and death. Each presents the beauty of Blackness, not to promote its consumerism, but to provide a space for meditation on the invisibility, misrecognition, and complexity of Black people"-- UR - https://onlinelibrary.wiley.com/doi/book/10.1002/9781119194583 ER -