Master handbook of acoustics / F. Alton Everest, Ken C. Pohlmann.

By: Everest, F. Alton (Frederick Alton), 1909-2005 [author.]
Contributor(s): Pohlmann, Ken C [author.]
Language: English Publisher: New York : McGraw Hill, [2022]Copyright date: © 2022Edition: Seventh editionDescription: xx, 635 pages : illustrations ; 23 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 9781260473599Subject(s): Sound -- Handbooks, manuals, etc | Acoustical engineering -- Handbooks, manuals, etc | Sound -- Recording and reproducing -- Handbooks, manuals, etc | Hearing -- Handbooks, manuals, etc | Noise control -- Handbooks, manuals, etcDDC classification: 620.2 LOC classification: QC225.15 | .E93 2022
Contents:
Introduction ; Fundamentals of sound ; Sound levels and the decibel ; Sound in the free field ; The perception of sound ; Signals, speech, music, and noise ; Reflection ; Diffraction ; Refraction ; Diffusion ; Comb-filter effects ; Reverberation ; Absorption ; Modal resonances ; Schroeder diffusers ; Adjustable acoustics Sound isolation and site selection ; Sound isolation: walls, floors, and ceilings ; Sound isolation: windows and doors ; Noise control in ventilating systems ; Acoustics of listening rooms and home theaters ; Acoustics of home studios ; Acoustic of small recording studios ; Acoustics of large recording studios ; Acoustics of control rooms ; Acoustics of isolation booths ; Acoustics of audiovisual postproduction rooms ; Acoustics of teleconference rooms ; Acoustics of large halls ; overview of TDS and MLS analysis ; room auralization ; Selected absorption coefficients ; Bibliography ; Glossary ; Index
Summary: "This is a textbook and professional reference for anyone studying acoustical engineering and acoustical performance in studio settings"-- Provided by publisher.
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GENERAL REFERENCE
620.2 Ev24 2022 (Browse shelf) Checked out 07/15/2024 12:00 AM CITU-CL-53533
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F. Alton Everest was a leading expert and authority in the field of acoustics. He was an emeritus member of the Acoustical society of America, a life member of the Institute of Electrical and Electronics Engineers, and a life fellow of the Society of Motion Picture and Television Engineers. He was cofounder and director of the Science Film Production division of the Moody Institute of Society, and was also section chief of the Subsea Sound Research section of the University of California.

Ken C. Pohlmann is well known as an audio educator, consultant, and author. He was director of the Music Engineering Technology program, founder of its Master of Science degree program, and is profession emeritus, at the University of Miami in Coral Gables, Florida. He is a fellow of the Audio Engineering Society, a consultant for numerous audio companies and car manufacturers, and an expert in patent-infringement litigation. He is author of numerous articles and books including Principles of Digital Audio (McGraw-Hill), and coauthor of the Handbook of Sound Studio Construction (McGraw-Hill).

Includes bibliographical references (pages 589-604) and index.

Introduction ; Fundamentals of sound ; Sound levels and the decibel ; Sound in the free field ; The perception of sound ; Signals, speech, music, and noise ; Reflection ; Diffraction ; Refraction ; Diffusion ; Comb-filter effects ; Reverberation ; Absorption ; Modal resonances ; Schroeder diffusers ; Adjustable acoustics Sound isolation and site selection ; Sound isolation: walls, floors, and ceilings ; Sound isolation: windows and doors ; Noise control in ventilating systems ; Acoustics of listening rooms and home theaters ; Acoustics of home studios ; Acoustic of small recording studios ; Acoustics of large recording studios ; Acoustics of control rooms ; Acoustics of isolation booths ; Acoustics of audiovisual postproduction rooms ; Acoustics of teleconference rooms ; Acoustics of large halls ; overview of TDS and MLS analysis ; room auralization ; Selected absorption coefficients ; Bibliography ; Glossary ; Index

"This is a textbook and professional reference for anyone studying acoustical engineering and acoustical performance in studio settings"-- Provided by publisher.

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