Reality transformed : film as meaning and technique / Irving Singer.

By: Singer, Irving [author]
Language: English Publisher: Cambridge, Massachusetts : MIT Press, ©1998Description: xiv, 216 pages ; 24 cmContent type: text Media type: unmediated Carrier type: volumeISBN: 0262194031 (hc. : alk. paper); 9780262194037 ; 0262692481 ; 9780262692489; 0585003165 ; 9780585003160Subject(s): Film criticism -- PhilosophyDDC classification: 791.4301 LOC classification: PN1995 | .S513 1998
Contents:
Introduction: Realism vs. Formalism -- Appearance and Reality -- The Purple Rose of Cairo -- The Visual and the Literary -- Death in Venice -- Communication and Alienation -- The Rules of the Game -- Conclusion: Cinematic Transformation.
Summary: In Reality Transformed Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. He accepts the realist claim that films somehow "capture" reality, but agrees with the formalist belief that they transform it. Extending his earlier work on meaning in art and life, he suggests that the meaningfulness of movies derives from techniques that re-create reality in the process of presenting it to viewers who have learned how to appreciate the aesthetics of cinematic transformation.
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SUBJECT REFERENCE 		791.4301 Si641 1998 (Browse shelf) Available CITU-CL-42549
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791.4301 B644 2010 Film art : an introduction / 791.4301 B6447 2024 Film art: an introduction / 791.4301 F349 1988 Feminism and film theory / 791.4301 Si641 1998 Reality transformed : film as meaning and technique / 791.43015 B634 2000 The art of watching films / 791.43015 B634 2003 The art of watching films / 791.43015 B634 2008 The art of watching films /

Includes index

Includes bibliographical references (p. [201]-210)

Introduction: Realism vs. Formalism --
Appearance and Reality --
The Purple Rose of Cairo --
The Visual and the Literary --
Death in Venice --
Communication and Alienation --
The Rules of the Game --
Conclusion: Cinematic Transformation.

In Reality Transformed Irving Singer offers a new approach to the philosophy of film. Returning to the classical debate between realists and formalists, he shows how the opposing positions may be harmonized and united. He accepts the realist claim that films somehow "capture" reality, but agrees with the formalist belief that they transform it. Extending his earlier work on meaning in art and life, he suggests that the meaningfulness of movies derives from techniques that re-create reality in the process of presenting it to viewers who have learned how to appreciate the aesthetics of cinematic transformation.

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