Music : a design for listening / Homer Ulrich
By: Ulrich, Homer [author]
Publisher: New York : Harcourt, Brace & World, Inc., 1962Edition: Second editionDescription: 502 pages : illustrations ; 22 cmContent type: text Media type: unmediated Carrier type: volumeSubject(s): Music appreciation | Music -- History and criticism | MusicDDC classification: 780.15
Contents:
Selective listening --
Musical materials --
Musical instruments --
Tonal arrangements --
Rhythm and meter --
Melody and melodic types --
Harmony --
Organizing principles --
Single-movement forms --
Compound forms --
Interpretation --
Musical performance and history --
The Renaissance period (1450-1600) --
The Baroque period (1600-1750) --
Handel and Bach --
The Classical period (1750-1825) --
Beethoven --
The Early Romantic period --
Program music and the nationalists --
Nineteenth-century opera --
The abstract ideal --
Post-Romanticism and the new music --
Jazz --
American music.
Item type | Current location | Home library | Call number | Status | Date due | Barcode | Item holds |
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COLLEGE LIBRARY | COLLEGE LIBRARY SUBJECT REFERENCE | 780.15 U17 1962 (Browse shelf) | Available | CL-11616 |
Total holds: 0
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780.1 R189 1957 Music : the listener's art / | 780.1 R189 1957 Music : the listener's art / | 780.15 K128 1988 Music : an appreciation / | 780.15 U17 1962 Music : a design for listening / | 780.267 Sh259 2023 The rhythm image : music videos and new audiovisual forms / | 780.2855369 L484 2004 Pro Tools bible / | 780.7 M184 1963 The enjoyment of music : an introduction to perceptive listening / |
Selective listening --
Musical materials --
Musical instruments --
Tonal arrangements --
Rhythm and meter --
Melody and melodic types --
Harmony --
Organizing principles --
Single-movement forms --
Compound forms --
Interpretation --
Musical performance and history --
The Renaissance period (1450-1600) --
The Baroque period (1600-1750) --
Handel and Bach --
The Classical period (1750-1825) --
Beethoven --
The Early Romantic period --
Program music and the nationalists --
Nineteenth-century opera --
The abstract ideal --
Post-Romanticism and the new music --
Jazz --
American music.
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