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| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781786308382 |
| Qualifying information |
hardcover |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781394284221 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1394284225 |
| Qualifying information |
electronic book |
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9781394284207 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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1394284209 |
| Qualifying information |
electronic book |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781394284214 |
| Qualifying information |
(electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1394284217 |
| Qualifying information |
(electronic bk.) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
178630838X |
| Qualifying information |
hardcover |
| 035 ## - SYSTEM CONTROL NUMBER |
|---|
| System control number |
(OCoLC)1429139628 |
| 037 ## - SOURCE OF ACQUISITION |
|---|
| Stock number |
9781786308382 |
| Source of stock number/acquisition |
O'Reilly Media |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 050 #4 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
HD53 |
| Item number |
.C74 2024 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
658.4/063 |
| Edition number |
23/eng/20240411 |
| 245 04 - TITLE STATEMENT |
|---|
| Title |
The creative capabilities of open organizations / |
| Statement of responsibility, etc |
edited by Emilie Ruiz. |
| 264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
London, UK : |
| Name of publisher, distributor, etc |
ISTE Ltd ; |
| Place of publication, distribution, etc |
Hoboken, NJ : |
| Name of publisher, distributor, etc |
John Wiley & Sons, Inc., |
| Date of publication, distribution, etc |
2024. |
| 264 #4 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Date of publication, distribution, etc |
©2024. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource. |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent. |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia. |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier. |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Innovation, entrepreneurship, management series. Organizational creativity set ; |
| Volume number/sequential designation |
volume 2. |
| 505 0# - CONTENTS |
|---|
| Formatted contents note |
Table of Contents<br/>Foreword ix<br/>Michela BERETTA<br/><br/>Author Biographies xiii<br/><br/>Introduction xvii<br/>Émilie RUIZ<br/><br/>Chapter 1. Managing Openness with Multisided Platforms 1<br/>Guy PARMENTIER<br/><br/>1.1. Multisided platforms 2<br/><br/>1.2. Strategy of openness 4<br/><br/>1.3. Control tools and mechanisms 7<br/><br/>1.4. Effect on user and company creativity 9<br/><br/>1.5. Conclusion 12<br/><br/>1.6. References 14<br/><br/>Chapter 2. Capabilities to Benefit from Crowdsourcing for Innovation 17<br/>Émilie RUIZ<br/><br/>2.1. Crowdsourcing (CS) of creative activities: a form of crowdsourcing for innovation 19<br/><br/>2.2. Benefits and difficulties that question organizational boundaries 21<br/><br/>2.3. Capacities to benefit from CS for creative activities 26<br/><br/>2.4. Conclusion 31<br/><br/>2.5. References 32<br/><br/>Chapter 3. The Role of Creative Capabilities in Opening up the Business Model Innovation Process 37<br/>Romain GANDIA<br/><br/>3.1. The business model (BM) innovation process and dynamics of openness 39<br/><br/>3.2. Understanding the dynamic of openness in the BM innovation process through the lens of organizational creative capability (OCC) 43<br/><br/>3.3. The Ankama case: an atypical OCC model to organize a dynamic of internal and external openness in the BM innovation process 47<br/><br/>3.4. The Airbnb case: a digital OCC co-production model to organize the openness of the BM’s innovation process 51<br/><br/>3.5. Differing perspectives on Ankama and Airbnb’s OCC models: What lessons can be learned? 55<br/><br/>3.6. Conclusion 58<br/><br/>3.7. References 59<br/><br/>Chapter 4. The Liberated Company: Openness, a Complementary Dimension to Explore Creative Capabilities 65<br/>Sandra DUBOULOZ and Caroline MATTELIN-PIERRARD<br/><br/>4.1. The liberated company: a fertile ground for creativity? 67<br/><br/>4.2. The liberated company and creativity: openness, a new dimension to explore 73<br/><br/>4.3. The multidimensional model of the creative capabilities of the liberated company 82<br/><br/>4.4. Conclusion 85<br/><br/>4.5. References 85<br/><br/>Chapter 5. The Third Place to Develop Creative Capabilities 91<br/>Aurore DANDOY<br/><br/>5.1. The genealogy of the concept of "third places" 91<br/><br/>5.2. Creating a third place rather than being a third place 93<br/><br/>5.3. Defining the third place through territorial and emotional anchoring 94<br/><br/>5.4. Sceaux Smart, community and territory before place 95<br/><br/>5.5. The creative capabilities of a third place: a multidimensional web 98<br/><br/>5.6. The regulation of third places: between authority, legitimacy and creative empowerment 100<br/><br/>5.7. Third places to strengthen individual creative capabilities 101<br/><br/>5.8. Third places to strengthen organizational creative capabilities 102<br/><br/>5.9. Third places to strengthen creative civic and political capabilities 104<br/><br/>5.10. An image to summarize 105<br/><br/>5.11. Conclusion 106<br/><br/>5.12. References 107<br/><br/>Chapter 6. Large-Scale Research Infrastructures and the Pharmaceutical Industry: Partnerships and Creative Capabilities 111<br/>Nuria MORATAL<br/><br/>6.1. Introduction 111<br/><br/>6.2. Collaboration and creativity in scientific practice 113<br/><br/>6.3. The case of a partnership around a large database 114<br/><br/>6.4. Discussion: the impact on creative capabilities 124<br/><br/>6.5. Conclusion 129<br/><br/>6.6. References 129<br/><br/>Chapter 7. The Recording Industry: Relying on Openness to Enrich Musical Creativity 133<br/>Margaux VALES<br/><br/>7.1. Creative capabilities and artistic creation 135<br/><br/>7.2. Creative capabilities and production 140<br/><br/>7.3. Creative capabilities and distribution 146<br/><br/>7.4. Conclusion 149<br/><br/>7.5. References 151<br/><br/>Chapter 8. Innovating with an Online Community: The Yoomaneo and EDF Pulse and You Cases 153<br/>Zoé MASSON and Guy PARMENTIER<br/><br/>8.1. Context and description of Yoomaneo and EDF Pulse and You 155<br/><br/>8.2. Managing an online innovation community (OIC): organization, communication and platform building 162<br/><br/>8.3. OIC members 168<br/><br/>8.4. The benefits of OIC for companies and participants 169<br/><br/>8.5. The issues and challenges of OICs 178<br/><br/>8.6. Conclusion 181<br/><br/>8.7. References 184<br/><br/>Conclusion 185<br/>Émilie RUIZ<br/><br/>List of Authors 193<br/><br/>Index 195 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
Creativity has become a major issue for organizations and their managers alike. While it is acknowledged that creative capability exists within organizations, we tend to focus solely on what fosters it, thus neglecting creativity in contexts of openness. With the help of numerous case studies from open organizations, The Creative Capabilities of Open Organizations analyzes the way in which creative capabilities are developed. The book puts into perspective the abundant but solid literature on the creative capability of particularly exciting and instructive industries, such as the outdoor sports industry, the music industry, and the video game industry. It holistically treats openness, going beyond a purely external view by analyzing cases illustrating intra-organizational openness. |
| 545 0# - BIOGRAPHICAL OR HISTORICAL DATA |
|---|
| Biographical or historical note |
About the Author<br/>Émilie Ruiz is an Associate Professor in Innovation Management at the Université Savoie Mont Blanc and a member of IREGE (France). Her research focuses on open innovation, particularly on communities of innovation and creativity. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Creative ability in business. |
| 655 #4 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Ruiz, Emilie, |
| Relator term |
editor. |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
|---|
| Uniform Resource Identifier |
https://onlinelibrary.wiley.com/doi/book/10.1002/9781394284221 |
| Link text |
Full text is available at Wiley Online Library Click here to view |
| 942 ## - ADDED ENTRY ELEMENTS |
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| Source of classification or shelving scheme |
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| Item type |
EBOOK |