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05302cam a22004818i 4500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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20230915085803.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS--GENERAL INFORMATION |
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| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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191003s2020 nju ob 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2019045091 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781119194576 |
| Qualifying information |
(epub) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781119194583 |
| Qualifying information |
(epub) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9781119194569 |
| Qualifying information |
(adobe pdf) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| Cancelled/invalid ISBN |
9781119194545 |
| Qualifying information |
(hardback) |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
DLC |
| Language of cataloging |
eng |
| Transcribing agency |
DLC |
| Description conventions |
rda |
| Modifying agency |
DLC |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng. |
| 042 ## - AUTHENTICATION CODE |
|---|
| Authentication code |
pcc |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
NC96 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
741 |
| Edition number |
23 |
| 245 02 - TITLE STATEMENT |
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| Title |
A companion to contemporary drawing / |
| Statement of responsibility, etc |
edited by Kelly Chorpening & Rebecca Fortnum. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
First edition. |
| 263 ## - PROJECTED PUBLICATION DATE |
|---|
| Projected publication date |
2003 |
| 264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Hoboken, NJ : |
| Name of publisher, distributor, etc |
Wiley-Blackwell, |
| Date of publication, distribution, etc |
2020. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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| Media type term |
computer |
| Media type code |
c |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
cr |
| Source |
rdacarrier |
| 490 0# - SERIES STATEMENT |
|---|
| Series statement |
Wiley Blackwell companions to art history |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Includes index. |
| 500 ## - GENERAL NOTE |
|---|
| General note |
Kelly Chorpening is the Fine Art Programme Director at Camberwell College of Arts, University of the Arts, London. She has worked extensively in drawing as an artist, writer, curator and educator within fine art and across disciplines, and in a number of national contexts.<br/><br/>Rebecca Fortnum is Professor of Fine Art at the Royal College of Art, UK. She is the author of Contemporary British Women Artists: In Their Own Words and On Not Knowing: How Artists Think. She has exhibited widely including solo exhibitions at the Freud Museum and the V&A Museum of Childhood in London. |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 2# - CONTENTS |
|---|
| Formatted contents note |
Table of contents<br/><br/>List of Illustrations ix<br/><br/>Notes on Contributors xvii<br/><br/>Acknowledgments xxv<br/><br/>Introduction 1<br/>Kelly Chorpening and Rebecca Fortnum<br/><br/>Part I The Power of Drawing 11<br/><br/>1 The Black Index 13<br/>Bridget R. Cooks<br/><br/>2 A State of Alert: The Politics of Eroticism in South American Drawing 29<br/>Sofia Gotti<br/><br/>3 Graphic Witness 55<br/>Kate Macfarlane<br/><br/>4 Drawn from Communism: Anti-Capitalist Drawing from Central-Eastern Europe 71<br/>Magdalena Radomska<br/><br/>5 Differencing Drawing: Feminist Perspectives on Line, Surface, and Space 95<br/>Griselda Pollock<br/><br/>6 A Dirty Double Mirror: Drawing, Autobiography, and Feminism 123<br/>Rebecca Fortnum<br/><br/>7 Between the Sky and the Handle: Shilpa Gupta’s Drawings in the Contemporary 147<br/>Parul Dave Mukherji<br/><br/>8 Drawing as Contagion 161<br/>Jade Montserrat<br/><br/>9 Curating Drawing: Exhibitions and the Centering of Drawing in Contemporary Art 167<br/>João Ribas<br/><br/>Part II The Condition of Drawing 183<br/><br/>10 Observation and Drawing: From Looking to Seeing 185<br/>Paul Moorhouse<br/><br/>11 “Drawing’s Impropriety” 203<br/>Lucien Massaert<br/><br/>12 Drawing in Atopia: An Exploration of “Drift” as Method 221<br/>Beth Harland<br/><br/>13 Works on/in/with Paper: Approaching Drawing as Responsive Marking 239<br/>Marina Kassianidou<br/><br/>14 Indexical Drawing: On Frottage 257<br/>Margaret Iversen<br/><br/>15 Ground as Critical Limit 271<br/>Laura Lisbon<br/><br/>16 Drawing’s Finish 287<br/>Stephanie Straine<br/><br/>17 Radical Antinomies: Drawing and Conceptual Art 309<br/>Anna Lovatt<br/><br/>18 Drawing Desires 325<br/>Sunil Manghani<br/><br/>19 Drawing from Life and the Twenty-first Century Art School 343<br/>Kelly Chorpening<br/><br/>Part III The Expanse of Drawing 367<br/><br/>20 Marking Time, Moving Images: Drawing and Film 369<br/>Ed Krčma<br/><br/>21 Digital Drawing 389<br/>Tamarin Norwood<br/><br/>22 The Dot and the Line: Drawing Amongst Computers 407<br/>Jane de Almeida<br/><br/>23 Installation/Drawing: Spaces of Drawing Between Art and Architecture 431<br/>Sophia Banou<br/><br/>24 Informational Drawing 451<br/>Matthew Ritchie<br/><br/>25 Drawing Towards Sound – Notation, Diagram, Drawing 471<br/>David Ryan<br/><br/>26 Chinese Calligraphy: A Drawing Ecology 493<br/><br/>Eric Wear<br/><br/>27 The Enduring Power of Comic Strips 513<br/>Simon Grennan<br/><br/>Index 531<br/><br/>The black index / Bridget R. Cooks -- Observation and drawing : from looking to seeing / Paul Moorhouse -- Marking time, moving images : drawing and film / Ed Krčma -- Chinese calligraphy : a drawing ecology / Eric Otto Wear |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
"With their deviant movements, carefully defined features, and exquisitely detailed faces, the serial drawings of Kenyatta A.C. Hinkle, Titus Kaphar, and Whitfield Lovell offer refreshing approaches to visual indexes of Black bodies. For some artists, the act of drawing is only a preliminary step toward a final artwork yet to be realized. However, these artists create drawings as complete manifestations of transient forms-humans in various stages of life and death. Each presents the beauty of Blackness, not to promote its consumerism, but to provide a space for meditation on the invisibility, misrecognition, and complexity of Black people"-- |
| Assigning source |
Provided by publisher. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
|---|
| Source of description note |
Description based on print version record and CIP data provided by publisher; resource not viewed. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Drawing |
| Chronological subdivision |
21st century |
| General subdivision |
Themes, motives. |
| 655 #0 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic books. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Chorpening, Kelly, |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Fortnum, Rebecca, |
| Relator term |
editor. |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Uniform Resource Identifier |
https://onlinelibrary.wiley.com/doi/book/10.1002/9781119194583 |
| Link text |
Full text available at Wiley Online Library Click here to view |
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7 |
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20 |
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| 942 ## - ADDED ENTRY ELEMENTS |
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| Source of classification or shelving scheme |
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| Item type |
EBOOK |