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20230215171936.0 |
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| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781119044376 (Adobe PDF) |
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| International Standard Book Number |
9781119044406 (ePub) |
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| International Standard Book Number |
9781119044420 |
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| Cancelled/invalid ISBN |
9781119044352 (hardback) |
| 041 ## - LANGUAGE CODE |
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| Language code of text/sound track or separate title |
eng. |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
809.9145 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Preferred name for the person |
Burwick, Frederick, |
| Relator term |
author. |
| 245 12 - TITLE STATEMENT |
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| Title |
A history of Romantic literature / |
| Statement of responsibility, etc |
Frederick Burwick. |
| 264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
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| Place of publication, distribution, etc |
Hoboken, NJ : |
| Name of publisher, distributor, etc |
Wiley-Blackwell, |
| Date of publication, distribution, etc |
2019. |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (448 pages). |
| 336 ## - CONTENT TYPE |
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| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
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computer |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
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| Carrier type term |
online resource |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 0# - SERIES STATEMENT |
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| Series statement |
Blackwell histories of literature |
| 500 ## - GENERAL NOTE |
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| General note |
ABOUT THE AUTHOR<br/>Frederick Burwick is Professor Emeritus at the English Department of the University of California, Los Angeles, USA. He is author and editor of thirty-three books and one hundred and sixty essays. He was named Distinguished Scholar by the British Academy (1992) and has been presented with a Lifetime Achievement Award from the International Conference on Romanticism (2013). |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc |
Includes bibliographical references and index. |
| 505 0# - CONTENTS |
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| Formatted contents note |
TABLE OF CONTENTS<br/>Illustrations viii<br/><br/>Introduction 1<br/><br/>I Revolution (1789–1798) 22<br/><br/>The ‘Revolution Controversy’ 22<br/><br/>Newington Green Circle and Richard Price 25<br/><br/>Mary Wollstonecraft 26<br/><br/>Anna Laetitia Barbauld 29<br/><br/>Abolition Movement 30<br/><br/>Thomas Beddoes, Pneumatic Institution 38<br/><br/>Slave Trade, Opium Trade 41<br/><br/>Elizabeth Montagu and the Bluestockings 47<br/><br/>Helen Maria Williams 51<br/><br/>William Blake 54<br/><br/>Anna Seward 63<br/><br/>Dissenters 64<br/><br/>Historical Nodes 66<br/><br/>Corresponding Societies and Treason Trials 67<br/><br/>Erasmus Darwin 70<br/><br/>Charles Lloyd 72<br/><br/>John Thelwall 74<br/><br/>John Horne Tooke 75<br/><br/>Nonconformists 77<br/><br/>William Blake: Vision and Prophecy 78<br/><br/>George Crabbe 81<br/><br/>Thomas Holcroft 83<br/><br/>Gothic, Domestic Violence, Sadism 92<br/><br/>The Irish Rebellion 99<br/><br/>Coleridge at Cambridge 100<br/><br/>William Frend 101<br/><br/>John Tweddell and James Losh 103<br/><br/>Freedom of the Press 105<br/><br/>Letters of Junius 107<br/><br/>George Dyer 115<br/><br/>Mary Hays 120<br/><br/>Elizabeth Hamilton 127<br/><br/>Mary Robinson 127<br/><br/>Coleridge and Wordsworth 128<br/><br/>Joanna Baillie 136<br/><br/>Maria Edgeworth 139<br/><br/>Charlotte Smith 139<br/><br/>II Napoleonic Wars (1799–1815) 158<br/><br/>The French Consulate and Great Britain 158<br/><br/>Coalitions 159<br/><br/>Toussaint L’Ouverture 168<br/><br/>Peace of Amiens 168<br/><br/>The ‘Dejection’ Dialogue 171<br/><br/>The Growth of The Prelude 177<br/><br/>Back to Nature 188<br/><br/>Coleridge: Conversation Poems 190<br/><br/>Continental Romanticism 205<br/><br/>Jane Porter 211<br/><br/>Thomas Bewick 213<br/><br/>Moral Causality 214<br/><br/>1805: Connections and Coincidences 215<br/><br/>The Periodical Press 219<br/><br/>Exaltation and Exploitation of the Child 226<br/><br/>The Lecture 229<br/><br/>Lord Byron: ‘Fools are my theme, let satire be my song’ 234<br/><br/>The Novel 237<br/><br/>Interconnections: Jane Austen, Sir Walter Scott, George Crabbe, Joanna Baillie, Charlotte Smith, Anna Laetitia Barbauld 239<br/><br/>III Riots (1815–1820) 297<br/><br/>Waterloo 297<br/><br/>Corn Laws: Cobbett, Bamford, Wroe, Elliott 309<br/><br/>Lord Byron: Childe Harold’s Pilgrimage Cantos III and IV 313<br/><br/>Lord Byron: Manfred 318<br/><br/>Percy Bysshe Shelley 328<br/><br/>Samuel Rogers 333<br/><br/>Coleridge: Principles of Genial Criticism and Biographia Literaria 334<br/><br/>Coleridge: ‘Kubla Khan’ and ‘Christabel’ 339<br/><br/>Keats: Networking 349<br/><br/>Keats: Hyperion and Fall of Hyperion 351<br/><br/>Keats: ‘Eve of St. Agnes’ and Lamia 353<br/><br/>Keats: The ‘Great Odes’ 358<br/><br/>Belatedness 366<br/><br/>Wordsworth, Shelley, Reynolds: Peter Bell, First, Second, Third, and Fourth 367<br/><br/>Wordsworth: Benjamin the Waggoner 375<br/><br/>Cato Street Conspiracy 376<br/><br/>Leigh Hunt 381<br/><br/>March of the Blanketeers 383<br/><br/>Satire and the Gagging Acts 385<br/><br/>Shelley: Mask of Anarchy 388<br/><br/>Beau Brummell 388<br/><br/>Blake: Jerusalem 389<br/><br/>Shelley: Prometheus Unbound 393<br/><br/>IV Reform (1821–1832) 413<br/><br/>Trial of Queen Caroline 413<br/><br/>Shelley, Swellfoot the Tyrant 419<br/><br/>Shelley, Witch of Atlas 425<br/><br/>Byron, Don Juan 427<br/><br/>John Clare, The Village Minstrel 431<br/><br/>De Quincey, Confessions 433<br/><br/>Maria Edgeworth, Tomorrow 435<br/><br/>Charles Lamb: Essayist, Critic, Playwright 439<br/><br/>William Hazlitt, Spirit of the Age 447<br/><br/>Deaths: Keats, Napoleon, Shelley, Castlereagh, Byron, Radcliffe 451<br/><br/>Letitia Elizabeth Landon: Improvisatrice 453<br/><br/>Samuel Rogers: Italy 455<br/><br/>George Dyer 457<br/><br/>Mary Russell Mitford, Foscari 458<br/><br/>Walter Savage Landor, Imaginary Conversations 466<br/><br/>Panic of 1825 468<br/><br/>Felicia Hemans 470<br/><br/>Thomas Love Peacock, Misfortune of Elphin (1829) 472<br/><br/>Thomas Lovell Beddoes, Death’s Jest Book 475<br/><br/>Parliamentary Reform 478<br/><br/>Abolition 478<br/><br/>Deaths: Blake, Hazlitt, Scott, Goethe, Coleridge Crabbe, Lamb, Thelwall 479<br/><br/>Conclusion 489<br/><br/>Index 492 |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc |
"A History of Romantic Literature provides a richly integrated account of shared themes, interests, innovations, rivalries, and disputes among the writers of the late eighteenth and early nineteenth centuries. It examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy. Because Romanticism infiltrated religious, philosophical, scientific, and ideological discourse as thoroughly as it did literature and the arts, its impact was pervasive and pan-European. The authors crafted a poetry and prose of emotional extremes, and a writing style prioritising spontaneity, improvisation, and originality. Not entirely without paradox, they also found their originality in folk traditions and the antiquarian revival of literary forms and themes of the medieval past. In examining Romanticism as historical movement, this History adheres to theories of assemblage: it addresses the social networking among authors, the informal dinners and teas, the clubs and salons, and the more formal institutions that emerged to establish and manage relations between readers and writers"-- |
| Assigning source |
Provided by publisher. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
DESCRIPTION<br/>Historical Narrative Offers Introduction to Romanticism by Placing Key Figures in Overall Social Context <br/><br/>Going beyond the general literary survey, A History of Romantic Literature examines the literatures of sensibility and intensity as well as the aesthetic dimensions of horror and terror, sublimity and ecstasy, by providing a richly integrated account of shared themes, interests, innovations, rivalries and disputes among the writers of the late eighteenth and early nineteenth centuries.<br/><br/>Drawing from the assemblage theory, Prof. Burwick maintains that the literature of the period is inseparable from prevailing economic conditions and ongoing political and religious turmoil, as well as developments in physics, astronomy, music and art. Thus, rather than deal with authors as if they worked in isolation from society, he identifies and describes their interactions with their communities and with one another, as well as their responses to current events. By connecting seemingly scattered and random events such as the bank crisis of 1825, he weaves the coincidental into a coherent narrative of the networking that informed the rise and progress of Romanticism. Notable features of the book include:<br/><br/>A strong narrative structure divided into four major chronological periods: Revolution, 1789-1798; Napoleonic Wars, 1799-1815; Riots, 1815-1820; Reform, 1821-1832<br/>Thorough coverage of major and minor figures and institutions of the Romantic movement (including Mary Wollstonecraft, Elizabeth Montague and the Bluestockings, Lord Byron, John Keats, Letitia Elizabeth Landon etc.)<br/>Emphasis on the influence of social networks among authors, such as informal dinners and teas, clubs, salons and more formal institutions<br/>With its extensive coverage and insightful analysis set within a lively historical narrative, History of Romantic Literature is highly recommended for courses on British Romanticism at both undergraduate and post-graduate levels. It will also prove a highly useful reference for advanced scholars pursuing their own research. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
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| Source of description note |
Description based on print version record and CIP data provided by publisher. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name as entry element |
Romanticism |
| Geographic subdivision |
Europe |
| General subdivision |
History. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
European literature |
| Chronological subdivision |
18th century |
| General subdivision |
History and criticism. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
European literature |
| Chronological subdivision |
19th century |
| General subdivision |
History and criticism. |
| 655 #0 - INDEX TERM--GENRE/FORM |
|---|
| Genre/form data or focus term |
Electronic books. |
| 856 ## - ELECTRONIC LOCATION AND ACCESS |
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| Link text |
Fulltext available at Wiley Online Library |
| Uniform Resource Identifier |
https://onlinelibrary.wiley.com/doi/book/10.1002/9781119044420 |
| 942 ## - ADDED ENTRY ELEMENTS |
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| Source of classification or shelving scheme |
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| Item type |
EBOOK |