| 000 -LEADER |
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| fixed length control field |
08359cam a2200433 a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
14527343 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
CITU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20230904085248.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
060830s2007 ne a b 001 0 eng |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2006028865 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
0240808924 (alk. paper) |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9780240808925 (alk. paper) |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)ocm71241959 |
| 041 ## - LANGUAGE CODE |
|---|
| Language code of text/sound track or separate title |
eng |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1992.8.A6 |
| Item number |
A42 2007 |
| 082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791.45028023 |
| Edition number |
22 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
|---|
| Preferred name for the person |
Alburger, James R., |
| Dates associated with a name |
1950- |
| Relator term |
author |
| 245 14 - TITLE STATEMENT |
|---|
| Title |
The art of voice acting : |
| Remainder of title |
the craft and business of performing for voice-over / |
| Statement of responsibility, etc |
James R. Alburger. |
| 250 ## - EDITION STATEMENT |
|---|
| Edition statement |
Third Edition |
| 264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
|---|
| Place of publication, distribution, etc |
Amsterdam : |
| Name of publisher, distributor, etc |
Elsevier |
| Date of publication, distribution, etc |
c2007. |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
xxiii, 333 pages: |
| Other physical details |
illustrations ; |
| Dimensions |
24 cm. + |
| Accompanying material |
1 sound disc (digital ; 4 3/4 in.) |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
unmediated |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
volume |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc |
Includes bibliographical references and index. |
| 505 ## - CONTENTS |
|---|
| Formatted contents note |
A Wealth of Additional Voice Acting Resources --<br/>The Business of Voice-over: Part 1 --<br/>What Is Voice Acting? --<br/>The Many Roles of the Voice Actor --<br/>Types of Voice-over Work --<br/>The Difference between "Voice-over" and "Voice Acting" --<br/>Breaking into the Business of Voice-over --<br/>The Best-Kept Secret --<br/>The Realities of Voice Acting --<br/>Full-Time versus Part-Time --<br/>7 Things You Must Know About Voice-over Work --<br/>Where to Start: Voice-over Basics --<br/>The Voice-over Performer as Actor and Salesperson --<br/>"Slip and Fall Accidents" (CD/8) --<br/>Getting the Skills You Need --<br/>The Business of Voice-over: Getting Paid to Play --<br/>It's Show-biz, Folks --<br/>Making Money Doing Voice-over Work --<br/>Talent Agencies, Casting Agencies, Personal Managers, and Advertising Agencies --<br/>Acting for Voice-over --<br/>Using Your Instrument --<br/>All About Breathing --<br/>20 Facts About Your Voice (CD/2) --<br/>"Come in Today" Script for Breath Control (CD/10) --<br/>Be Easy on Yourself --<br/>Exercising Your Voice --<br/>Correcting Speech Problems and Habits --<br/>Voice and Body Exercises (CD/3, CD/4) --<br/>Tips and Suggestions for Maintaining Your Voice --<br/>The Seven Core Elements of an Effective Performance (CD/5) --<br/>It Starts with Pretending --<br/>Audience: Core Element #1 --<br/>Back Story: Core Element #2 --<br/>Character: Core Element #3 --<br/>Desires: Core Element #4 --<br/>Energy: Core Element #5 --<br/>Forget Who You Are and Focus: Core Element #6 --<br/>Gamble: Core Element #7 --<br/>Developing Technique --<br/>Style --<br/>The Road to Proficiency --<br/>Three Steps to Creating an Effective Performance --<br/>The Elements of a Voice-Acting Performance --<br/>Shortcuts that Trick Your Brain (CD/6) --<br/>Microphone Technique --<br/>Acting Classes --<br/>Voice Acting 101 --<br/>It's Not About Your Voice --<br/>Commit to Your Choices ... and Adjust --<br/>Physical Attitudes to Help Delivery --<br/>Your Clothes Make a Difference --<br/>The Magic of Your Mind: If You Believe It, They Will! --<br/>Trends --<br/>Woodshedding and Script Analysis --<br/>The Director in the Front Row of Your Mind --<br/>"Woodshed" Your Copy --<br/>Creating a Performance Road Map --<br/>Woodshed Your Script to Be More Believable --<br/>Henry and His Friends: A Cold Reading Exercise --<br/>Tips for Woodshedding --<br/>The Character in the Copy --<br/>How Will You Play the Role? --<br/>Your Best Tool Is Your Own Personality --<br/>Sociocultural Awareness --<br/>The Ten Cultural Territories --<br/>Personal Growth, Socially Involved, Connected --<br/>Community, Spirituality, Social Responsibility --<br/>Independent, Experimental, Interest in New --<br/>Rituals, Loyalty, Duty, Conventional --<br/>Rules, Principles, Need for Recognition --<br/>Achievement, Exhibition, Trend Setters, Self-Indulgent --<br/>Materialism, Seek Pleasure, Need for Recognition --<br/>Need for Structure, Control, Respect for Authority --<br/>Personal Style, Spontaneous, Concern about Future --<br/>Need for Security, Worriers, Suspicious of Change --<br/>Theater of the Mind --<br/>An Exercise for Creating Real Characters (CD/7) --<br/>Making Your Characters Believable --<br/>Tips for Performing All Types of Copy --<br/>Single-Voice Copy --<br/>Tips for Performing Single-Voice Copy --<br/>Single-Voice Scripts --<br/>"No Fish Today" (CD/10) --<br/>"Auction Cities" (CD/11) --<br/>"Hallmark Galleries" (CD/12) --<br/>"Lloyds Plumbing, Heating and Air" (CD/13) --<br/>Dialogue Copy: Doubles and Multiples --<br/>Types of Dialogue Copy --<br/>Tips for Performing Dialogue Copy --<br/>Dialogue and Multiple-Voice Scripts --<br/>"Coastal Condo Living" (CD/14) --<br/>"Grand Prix Car Wash" (CD/15) --<br/>"Towne Center Plaza" (CD/16) --<br/>Character Copy --<br/>Vocalizing Characters --<br/>Pat Fraley's Six Critical Elements of a Character Voice --<br/>Finding Your Voice --<br/>The Character, Voice Worksheet --<br/>Exercises for Creating Character Voices (CD/17) --<br/>Tips for Character and Animation Copy --<br/>Character and Animation Scripts --<br/>Industrials: Long-Form and Narrative Copy --<br/>Tips for Performing Corporate and Narrative Copy --<br/>Corporate and Narrative Scripts --<br/>"Oasis Mouthwash and Dry Mouth Spray" (CD/18) --<br/>"The Power of Your Thoughts" (CD/19) --<br/>Other Types of Voice-over Work --<br/>Audio Books --<br/>/ Hilary HuberA Bit about Audio Books --<br/>Video Games --<br/>/ Lani MinellaYou Must Be Versatile --<br/>Telephony --<br/>/ Connie TerwilligerConcatenation (CD/20) --<br/>ADR/Looping --<br/>/ Terri DouglasWhat Makes a Good Looper? --<br/>Promo/Trailer --<br/>/ Joyce CastellanosThe Essence of Promo and Trailer Work --<br/>Radio Imaging, Branding, Signature Voice --<br/>/ Jennifer VaughnRadio Imaging and Promo (CD/26) --<br/>Anime --<br/>/ Debbie MunroInside Anime (CD/24) --<br/>The Business of Voice-over: Part 2 --<br/>Your Voice-over Demo --<br/>Your Professional Calling Card --<br/>Don't Produce Your Demo Until You Are Ready --<br/>Your Demo Must Accurately Represent Your Abilities --<br/>Versatility Is Your Selling Tool --<br/>Demo Basics --<br/>Demo Tips --<br/>Types of Voice-over Demos --<br/>Producing Your Demo --<br/>Your Demo Recording Session --<br/>Your Demo Is Done, Now What? --<br/>Present Yourself as a Professional --<br/>Print Materials --<br/>Getting Your Demo Out There: Duplication and Distribution --<br/>Your Home Studio --<br/>Your Website --<br/>How to Work in the Business of Voice-over --<br/>Promoting and Marketing Your Voice-over Talent --<br/>Finding and Working with an Agent --<br/>A Business Plan for Voice Actor You, Inc. --<br/>Setting and Managing Your Fees --<br/>Setting Your Talent Fee --<br/>Negotiating and Getting Paid --<br/>Auditions --<br/>The Audition Process --<br/>Auditioning From Your Home Studio --<br/>Preparing for Your Live Audition --<br/>What to Expect at a Live Audition --<br/>After the Audition --<br/>Demos --<br/>Audition Dos, Don'ts, and Common Courtesies --<br/>The Voice-Acting Survival Kit --<br/>You're Hired! The Session --<br/>A Journey Through the Creative Process --<br/>Types of Sessions, Setups, and Script Formats --<br/>The Session: Step-by-Step --<br/>Common Direction Terms --<br/>Tips, Tricks, and Studio Stories --<br/>/ Don LaFontaine"The" Talent --<br/>/ Bob JumpBeing Yourself ... or not! --<br/>/ Susan BerkleyFind Your Niche --<br/>/ Marc CashmanThere's Music in Copy --<br/>/ Wally WingertThe Ing's --<br/>/ Joe CiprianoFinding Your Niche: Promo and Trailers --<br/>/ Rodney SaulsberrySucceeding in Voice-over --<br/>/ Bob BergenVoice-over Demos --<br/>/ Lani MinellaCelebrity Voices, Producers, and Impersonations --<br/>/ Michael MinetreeTraining the "Guy's Guy" --<br/>/ Connie TerwilligerHow to Dig Yourself Out of a Rut --<br/>/ Kathy GarverIn the Studio with Audio Books --<br/>/ Bettye Pierce Zoller"Residuals" --<br/>/ Stefan KinellGetting Paid --<br/>/ Don BarrettMaking the Move from Radio to Voice-over --<br/>/ Peter DrewPick-ups and Gibberish --<br/>/ Penny AbshireThose Who Dance --<br/>Audio CD Track Index. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc |
<br/>Audio CD contains instructions, exercises, techniques and examples of voice-over scripts from the text. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Television announcing |
| General subdivision |
Vocational guidance. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Radio announcing |
| General subdivision |
Vocational guidance. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Voice-overs. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Television advertising |
| General subdivision |
Vocational guidance. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name as entry element |
Radio advertising |
| General subdivision |
Vocational guidance. |
| 856 41 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Table of contents only |
| Uniform Resource Identifier |
http://www.loc.gov/catdir/toc/ecip0620/2006028865.html |
| 856 42 - ELECTRONIC LOCATION AND ACCESS |
|---|
| Materials specified |
Publisher description |
| Uniform Resource Identifier |
http://www.loc.gov/catdir/enhancements/fy0668/2006028865-d.html |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
orignew |
| d |
1 |
| e |
ecip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS |
|---|
| Source of classification or shelving scheme |
|
| Item type |
BOOK |
| Issues (borrowed), all copies |
2 |