| 000 -LEADER |
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| fixed length control field |
05114cam a22003855i 4500 |
| 001 - CONTROL NUMBER |
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| control field |
20393571 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
CITU |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20210428063239.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
170727s2018 ne a b 001 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| LC control number |
2017453988 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789462986213 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9462986215 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)on1005728234 |
| 040 ## - CATALOGING SOURCE |
|---|
| Original cataloging agency |
ERASA |
| Language of cataloging |
eng |
| Transcribing agency |
ERASA |
| Description conventions |
rda |
| Modifying agency |
QGK |
| -- |
YDX |
| -- |
BDX |
| -- |
OHX |
| -- |
LTSCA |
| -- |
IUL |
| -- |
DLC |
| 042 ## - AUTHENTICATION CODE |
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| Authentication code |
lccopycat |
| 050 00 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
PN1997.S65943 |
| Item number |
S73 2018 |
| 082 04 - DEWEY DECIMAL CLASSIFICATION NUMBER |
|---|
| Classification number |
791 |
| 245 00 - TITLE STATEMENT |
|---|
| Title |
Star Wars and the history of transmedia storytelling / |
| Statement of responsibility, etc. |
edited by Sean Guynes and Dan Hassler-Forest. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
|---|
| Place of production, publication, distribution, manufacture |
Amsterdam : |
| Name of producer, publisher, distributor, manufacturer |
Amsterdam University Press, |
| Date of production, publication, distribution, manufacture, or copyright notice |
[2018] |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
1 online resource |
| 336 ## - CONTENT TYPE |
|---|
| Content type term |
text |
| Content type code |
txt |
| Source |
rdacontent |
| 337 ## - MEDIA TYPE |
|---|
| Media type term |
computer |
| Media type code |
n |
| Source |
rdamedia |
| 338 ## - CARRIER TYPE |
|---|
| Carrier type term |
online resource |
| Carrier type code |
nc |
| Source |
rdacarrier |
| 490 1# - SERIES STATEMENT |
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| Series statement |
Transmedia: Participatory Culture and Media Convergence ; |
| Volume/sequential designation |
3 |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
|---|
| Bibliography, etc. note |
Includes bibliographical references (pages 297-315) and index. |
| 505 00 - FORMATTED CONTENTS NOTE |
|---|
| Title |
"Thank the Maker!": George Lucas, Lucasfilm, and the Legends of Transtextual Authorship across the Star Wars Franchise / |
| Statement of responsibility |
Tara Lomax -- |
| Title |
Han Leia Shot First: Transmedia Storytelling and the National Public Radio Dramatization of Star Wars / |
| Statement of responsibility |
Jeremy W. Webster -- |
| Title |
From Sequel to Quasi-Novelization: Splinter of the Mind's Eye and the 1970s Culture of Transmedia Contingency / |
| Statement of responsibility |
Matthew Freeman -- |
| Title |
Another Canon, Another Time: The Novelizations of the Star Wars Films / |
| Statement of responsibility |
Thomas Van Parys -- |
| Title |
Franchising Empire: Parker Brothers, Atari, and the Rise of LucasArts / |
| Statement of responsibility |
Stefan Hall -- |
| Title |
"You must feel the Force around you!": Transmedia Play and the Death Star Trench Run in Star Wars Video Games / |
| Statement of responsibility |
Drew Morton -- |
| Title |
Transmedia Character Building: Textual Crossovers in the Star Wars Universe / |
| Statement of responsibility |
Lincoln Geraghty -- |
| Title |
The Digitizing Force of Decipher's Star Wars Customizable Card Game / |
| Statement of responsibility |
Jonathan Rey Lee -- |
| Title |
Publishing the New Jedi Order: Media Industries Collaboration and the Franchise Novel / |
| Statement of responsibility |
Sean Guynes -- |
| Title |
How Star Wars Became Museological: Transmedia Storytelling in the Exhibition Space / |
| Statement of responsibility |
Beatriz Bartolomé Herrera and Philipp Dominik Keidl -- |
| Title |
Adapting the Death Star into LEGO: The Case of LEGO Set #10188 / |
| Statement of responsibility |
Mark J.P. Wolf -- |
| Title |
Invoking the Holy Trilogy: Star Wars in the Askewniverse / |
| Statement of responsibility |
Andrew M. Butler -- |
| Title |
Chasing Wild Space: Narrative Outsides and World-Building Frontiers in Knights of the Old Republic and The Old Republic / |
| Statement of responsibility |
Cody Mejeur -- |
| Title |
From Transmedia Storytelling to Transmedia Experience: Star Wars Celebration as a Crossover/Hierarchical Space / |
| Statement of responsibility |
Matt Hills -- |
| Title |
Space Bitches, Witches, and Kick-Ass Princesses: Star Wars and Popular Feminism / |
| Statement of responsibility |
Megen de Bruin-Molé -- |
| Title |
Some People Call Him a Space Cowboy: Kanan Jarrus, Outer Rim Justice, and the Legitimization of the Obama Doctrine / |
| Statement of responsibility |
Derek R. Sweet -- |
| Title |
The Kiss Goodnight from a Galaxy Far, Far Away: Experiencing Star Wars as a Fan-Scholar on Disney Property / |
| Statement of responsibility |
Heather Urbanski -- |
| Title |
Formatting Nostalgia: IMAX Expansions of the Star Wars Franchise / |
| Statement of responsibility |
Allison Whitney -- |
| Title |
Fandom Edits: Rogue One and the New Star Wars / |
| Statement of responsibility |
Gerry Canavan. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Star Wars has reached more than three generations of casual and hardcore fans alike, and as a result many of the producers of franchised Star Wars texts (films, television, comics, novels, games, and more) over the past four decades have been fans-turned-creators. Yet despite its dominant cultural and industrial positions, Star Wars has rarely been the topic of sustained critical work. 'Star Wars and the History of Transmedia Storytelling' offers a corrective to this oversight by curating essays from a wide range of interdisciplinary scholars in order to bring Star Wars and its transmedia narratives more fully into the fold of media and cultural studies. The collection places Star Wars at the center of those studies' projects by examining video games, novels and novelizations, comics, advertising practices, television shows, franchising models, aesthetic and economic decisions, fandom and cultural responses, and other aspects of Star Wars and its world-building in their multiple contexts of production, distribution, and reception. In emphasizing that Star Wars is both a media franchise and a transmedia storyworld, 'Star Wars and the History of Transmedia Storytelling' demonstrates the ways in which transmedia storytelling and the industrial logic of media franchising have developed in concert over the past four decades, as multinational corporations have become the central means for subsidizing, profiting from, and selling modes of immersive storyworlds to global audiences. By taking this dual approach, the book focuses on the interconnected nature of corporate production, fan consumption, and transmedia world-building. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Star Wars films |
| General subdivision |
History and criticism. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Guynes, Sean, |
| Relator term |
editor. |
| 700 1# - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Hassler-Forest, Dan, |
| Relator term |
editor. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
|---|
| Uniform title |
Transmedia (Amsterdam, Netherlands) ; |
| Volume/sequential designation |
3. |
| 906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
|---|
| a |
7 |
| b |
cbc |
| c |
copycat |
| d |
3 |
| e |
ncip |
| f |
20 |
| g |
y-gencatlg |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Source of classification or shelving scheme |
|
| Koha item type |
BOOK |