000 -LEADER |
fixed length control field |
02517nam a22003737a 4500 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
CITU |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20220309144310.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
170706s2018 nyu 000 0 eng |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2017947918 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780500239810 |
041 ## - LANGUAGE CODE |
Language code of text/sound track or separate title |
eng |
042 ## - AUTHENTICATION CODE |
Authentication code |
pcc |
082 00 - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
700 |
100 1# - MAIN ENTRY--PERSONAL NAME |
Preferred name for the person |
Zaczek, Iain. |
Relator term |
author |
245 12 - TITLE STATEMENT |
Title |
A chronology of art |
Remainder of title |
a timeline of western culture from prehistory to the present / |
Statement of responsibility, etc |
Iain Zaczek. |
263 ## - PROJECTED PUBLICATION DATE |
Projected publication date |
1802 |
264 #1 - PUBLICATION, DISTRIBUTION, ETC. (IMPRINT) |
Place of publication, distribution, etc |
New York, NY : |
Name of publisher, distributor, etc |
Thames & Hudson, |
Date of publication, distribution, etc |
2018. |
300 ## - PHYSICAL DESCRIPTION |
Extent |
287 pages : |
Other physical details |
illustrations (chiefly color) ; |
Dimensions |
26 cm. |
336 ## - CONTENT TYPE |
Content type term |
text |
Content type code |
txt |
Source |
rdacontent |
336 ## - CONTENT TYPE |
Content type term |
still image |
Content type code |
sti |
Source |
rdacontent |
337 ## - MEDIA TYPE |
Media type term |
unmediated |
Media type code |
n |
Source |
rdamedia |
338 ## - CARRIER TYPE |
Carrier type term |
volume |
Carrier type code |
nc |
Source |
rdacarrier |
500 ## - GENERAL NOTE |
General note |
Includes index. |
505 0# - CONTENTS |
Formatted contents note |
Ancient & medieval --<br/>Renaissance & baroque --<br/>Rococo & neoclassicism --<br/>Romanticism & beyond --<br/>The modern era. |
520 ## - SUMMARY, ETC. |
Summary, etc |
"Most surveys of the history of art are divided into historic periods, artistic schools, and movements. In reality, movements and artists' careers overlap and intertwine, reacting to events in the world around them. By prioritizing a purely chronological approach, A Chronology of Art illuminates these relationships from a fresh perspective and places the developments of the art world into context with one another. Structured around a central timeline covering Ancient & Medieval, Renaissance & Baroque, Rococo & Neoclassicism, Romanticism & Beyond, and The Modern Era, the book features lavish illustrations of artworks, together with commentaries, and lively 'In Focus' features with information about the social, stylistic, technical, political, and cultural events of each period. This approach reveals little-known connections: the most illustrious Neoclassical painting (David's Oath of the Horatii) was executed just a couple of years after one of the best-known Romantic scenes (Fuseli's The Nightmare); and American artist James Whistler, who had attended West Point Military Academy, was creating his finest work in Europe at the very time when his homeland was being torn apart by civil war."-- Provided by publisher. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art History. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art, European. |
General subdivision |
History. |
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name as entry element |
Art, European |
General subdivision |
History |
-- |
Chronology. |
655 #0 - INDEX TERM--GENRE/FORM |
Genre/form data or focus term |
Instructional and educational works. |
906 ## - LOCAL DATA ELEMENT F, LDF (RLIN) |
a |
0 |
b |
ibc |
c |
orignew |
d |
2 |
e |
epcn |
f |
20 |
g |
y-gencatlg |
942 ## - ADDED ENTRY ELEMENTS |
Source of classification or shelving scheme |
|
Item type |
BOOK |